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Adolescents and their Music: If It's Too Loud, You're Too Old [Paperback]

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  • Category: Books (Music)
  • ISBN-10:  1138655279
  • ISBN-10:  1138655279
  • ISBN-13:  9781138655270
  • ISBN-13:  9781138655270
  • Publisher:  Routledge
  • Publisher:  Routledge
  • Pages:  438
  • Pages:  438
  • Binding:  Paperback
  • Binding:  Paperback
  • SKU:  1138655279-11-MPOD
  • SKU:  1138655279-11-MPOD
  • Item ID: 106920662
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Sep 26 to Sep 28
  • Notes: Brand New Book. Order Now.

In this lively examination of youth and their relationship to music, first published in 1994, contributors cover issues ranging from the place of music in urban subculture and what music tells us about adolescent views on love and sex, to the political status of youth and youth culture.

1. Introduction: Misplaced Childhood: An Introduction to the Sociology of Youth and Their Music Jonathon S. Epstein  2. Rock: Youth and Its Music Deena Weinstein  3. The Political Status of Youth and Youth Culture Lawrence Grossberg  4. The Local Economy of Suburban Scenes Donna Gaines  5. Expendable Youth: The Rise and Fall of Youth Culture Deena Weinstein  6. Rock and Roll Is Here to Stray: Youth Subculture, Deviance, and Social Typing in Rocks Early Years Daniel Dotter  7. Secular Rituals in Popular Culture: A Case for Grateful Dead Concerts and Dead Head Identity Robert Sardiello  8. The Postmodernization of Rock and Roll Music: The Case of Metallica Joseph A. Kotarba  9. Redeeming the Rap Music Experience Venise Berry  10. Guerrilla Music: Avant-Garde Voice as Oppositional Discourse Thaddeus Coreno  11. Does Love Really Stink?: The Mean World of Love and Sex in Popular Music of the 1980s Emily D. Edwards   12. Crowded Crushes at Two Rock Concerts: A Value-Added Analysis Jerry M. Lewis  13. Popular Music as a Social Cement: A Content Analysis of Social Criticism and Alienation in Alternative-Music Song Titles Amy B. Mohan and Jean Malone  14. Living on a Lighted Stage: Identity Salience, Psychological Centrality, Authenticity, and Role Behaviour of Semi-Professional Rock Musicians &lÓ$

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