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The Affective Life of Law Legal Modernism and the Literary Imagination [Hardcover]

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  • Category: Books (Law)
  • Author:  Reichman, Ravit
  • Author:  Reichman, Ravit
  • ISBN-10:  0804761663
  • ISBN-10:  0804761663
  • ISBN-13:  9780804761666
  • ISBN-13:  9780804761666
  • Publisher:  Stanford Law Books
  • Publisher:  Stanford Law Books
  • Pages:  232
  • Pages:  232
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-May-2009
  • Pub Date:  01-May-2009
  • SKU:  0804761663-11-MPOD
  • SKU:  0804761663-11-MPOD
  • Item ID: 100898703
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Jan 20 to Jan 22
  • Notes: Brand New Book. Order Now.
Unhampered by the practical limits lawyers and judges face, literature expresses the unspoken sentiments that underpin legal doctrine. Through readings of Virginia Woolf, Rebecca West, and Hannah Arendt, as well as legal opinions and treatises, this book considers both law and literature as necessary complements in the efforts to take responsibility for the loss and damage inflicted by war. Ravit Reichman expertly charts the terrain that underwrites the law, proposing that the traumas, anxieties, and hopes that shape a culture's relationship to justice are realized in more than practical legal terms alone.Between the world wars, traditional notions of responsibility proved inadequate to address postwar trauma. Legal changes, following changes in literary language, placed new demands on writers to tell the story of law's response to wartime atrocities, and literature began to encourage readers to imagine the world not as it is, but as it ought to be. Our understanding of concepts such as Crimes Against Humanity or Crimes Against the Jewish People is a legacy of modernism's relationship to narrative and subjectivity.The Affective Life of Lawexamines the inheritance of this legacy. I thought it would be impossible for any scholar to say something about the interwar period that hadn't already been said, but Reichman actually reads it anew. She succeeds brilliantly in laying out the text of literature (modernism) and the text of law (tort), and generating a new intertextliterature as law, law as literature, both attempting to find a new language of and duty towards 'the Other.' This tour de force will set a new standard; it is destined to become a classic. Reichman (English, Brown U.) explores the relationship between legal and literary modernism, arguing that literary modernism's engagement with subjectivity and responsibility in the interwar period, paradigmatically represented by Virginia Woolf's trilogy ofJacob's Room,Mrs. Dalloway, andTo thl#8