InThe Afterlife of Property,Jeff Nunokawa investigates the conviction passed on by the Victorian novel that a woman's love is the only fortune a man can count on to last. Taking for his example four texts, Charles Dickens'sLittle DorritandDombey and Son,and George Eliot'sDaniel DerondaandSilas Marner,Nunokawa studies the diverse ways that the Victorian novel imagines women as property removed from the uncertainties of the marketplace. Along the way, he notices how the categories of economics, gender, sexuality, race, and fiction define one another in the Victorian novel.
If the novel figures women as safe property, Nunokawa argues, the novel figures safe property as a woman. And if the novel identifies the angel of the house, the desexualized subject of Victorian fantasies of ideal womanhood, as safe property, it identifies various types of fiction, illicit sexualities, and foreign races with the enemy of such property: the commodity form. Nunokawa shows how these convergences of fiction, sexuality, and race with the commodity form are part of a scapegoat scenario, in which the otherwise ubiquitous instabilities of the marketplace can be contained and expunged, clearing the way for secure possession. TheAfterlife of Propertyaddresses literary and cultural theory, gender studies, and gay and lesbian studies.
Jeff Nunokawais Associate Professor of English at Princeton University. He is the author of
Tame Passions of Wilde(Princeton). Jeff Nunokawa enters the familiar territory of Victorian fiction where capital and romance coexist and illuminates the subject in ways that are aften striking and valuable. . . . A provocative exploration. Brilliant. . . . Nunokawa's book . . . will inspire anyone interested in the place of property in Victorian culture.
---John Kucich,Victorian Studies The achievements of this elegant book are clear. . . . [It provides] finely nuanced and strikingly innl)