American Autobiography after 9/11 [Hardcover]

In the wake of the 2001 terrorist attacks in the United States, American memoirists have wrestled with a wide range of anxieties in their books. They cope with financial crises, encounter difference, or confront norms of identity. Megan Brown contends that such best sellers as Cheryl Strayed’sWild, Elizabeth Gilbert’sEat, Pray, Love, and Tucker Max’sI Hope They Serve Beer in Hellteach readers how to navigate a confusing, changing world.
            This lively and theoretically grounded book analyzes twenty-first-century memoirs fromThree Cups of TeatoFun Home, emphasizing the ways in which they reinforce and circulate ideologies, becoming guides or models for living. Brown expands her inquiry beyond books to the autobiographical narratives in reality television and political speeches. She offers a persuasive explanation for the memoir boom: the genre as a response to an era of uncertainty and struggle.

In the post-9/11 era, a flood of memoirs has wrestled with anxieties both personal and national.

“Demonstrates how several American life-writing subgenres have reflected and responded to national and personal anxieties after 9/11. This accessible and well-argued book is an essential resource for understanding contemporary memoir.”—G. Thomas Couser, Hofstra University

Acknowledgments                 
 
Introduction
1 Keeping It Real; or, “Fraud” Memoirs and Representations of Ethnic Authenticity                     
2 Learning to Live Again: Contemporary U.S. Memoir as Biopolitical Self-Care Guide              
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