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Bach, Handel, Scarlatti 1685}}}1985 [Paperback]

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  • Category: Books (Music)
  • ISBN-10:  0521082137
  • ISBN-10:  0521082137
  • ISBN-13:  9780521082136
  • ISBN-13:  9780521082136
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  384
  • Pages:  384
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2008
  • Pub Date:  01-May-2008
  • SKU:  0521082137-11-MPOD
  • SKU:  0521082137-11-MPOD
  • Item ID: 100724120
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Apr 04 to Apr 06
  • Notes: Brand New Book. Order Now.
1985 celebrated the 300th anniversary of the births of Bach, Handel and Scarlatti.1985 celebrated the 300th anniversary of the births of Bach, Handel and Scarlatti. This volume covers all three composers and contains essays from an international team of scholars. Some essays make a contribution towards a better understanding of one or other composer, but at least half of them are concerned with ideas connecting two or even all three of them.1985 celebrated the 300th anniversary of the births of Bach, Handel and Scarlatti. This volume covers all three composers and contains essays from an international team of scholars. Some essays make a contribution towards a better understanding of one or other composer, but at least half of them are concerned with ideas connecting two or even all three of them.1985 celebrated the 300th anniversary of the births of Bach, Handel and Scarlatti. This volume covers all three composers and contains essays from an international team of scholars. Some essays make a contribution towards a better understanding of one or other composer, but at least half of them are concerned with ideas connecting two or even all three of them. The essays are concerned with many aspects of the music - technical, chronological, critical, speculative, theoretical and (importantly) practical - and the distinguished contributors have often endeavoured to ask questions rather than jump to conclusions. Every essay makes fresh points and can open up new avenues for players and (in the broadest sense) students, especially in the present climate of wishing to return to 'authentic conditions of performance'.1. Handel and Music for the Earl of Carnarvon Graydon Beeks; 2. Aria and Ritornello: New Aspects of the Comparison Handel/Bach Paul Brainard; 3. Handel and Hanover Donald Burrows; 4. Muzio Clementi as an Original Advocate, Collector and Performer, in Particular of J. S. Bach and D. Scarlatti Stephen Daw; 5. Handel's Early London Copyists Winton Dean; 6. The 'Dotteld
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