This 1995 volume assesses the relevance of Mikhail Bakhtin's ideas as they relate to the visual arts.Bakhtin and the Visual Arts is the first book to assess the relevance of Mikhail Bakhtin's ideas as they relate to painting and sculpture. Deborah Haynes's in-depth study of Bakhtin's aesthetics, especially his theory of creativity, analyzes its applicability to contemporary art theory and criticism. With such categories as answerability, outsideness and unfinalizability, Bakhtin, the author posits, offers a conceptual basis for interpreting the moral dimensions of creative activity.Bakhtin and the Visual Arts is the first book to assess the relevance of Mikhail Bakhtin's ideas as they relate to painting and sculpture. Deborah Haynes's in-depth study of Bakhtin's aesthetics, especially his theory of creativity, analyzes its applicability to contemporary art theory and criticism. With such categories as answerability, outsideness and unfinalizability, Bakhtin, the author posits, offers a conceptual basis for interpreting the moral dimensions of creative activity.Bakhtin and the Visual Arts is the first book to assess the relevance of Mikhail Bakhtin's ideas as they relate to painting and sculpture. Deborah Haynes' in-depth study of Bakhtin's aesthetics, especially his theory of creativity, analyzes its applicability to contemporary art theory and criticism. With such categories as answerability, outsideness and unfinalizability, Bakhtin, the author posits, offers a conceptual basis for interpreting the moral dimensions of creative activity.Part I. Context: 1. Introduction; 2. Bakhtin's historical and intellectual milieu; Part II. Bakhtin's Theory of Creativity: 3. Answerability; 4. Outsideness; 5. Un/finalizability; Part III. The Usefuleness of Bakhtin's Aesthetics: 6. Interpreting works of art; 7. Bakhtin and postmodern art theory.Review of the hardback: 'Haynes has raised enough questions here to confirm that the work of the Bakhtin circle will provide one crucialƒ4