Arthur Briggs's life was Homeric in scope. Born on the the tiny island of Grenada, he set sail for Harlem during the Renaissance, then to Europe in the aftermath of WWI, where he was among the first pioneers to introduce jazz music to the world. During the legendary Jazz Age in Paris, Briggs's trumpet provided the soundtrack while Hemingway, Fitzgerald, and the rest of the Lost Generation got drunk. By the 1930s, Briggs was considered “the Louis Armstrong of Paris,” and was the peer of the greatest names of his time, from Josephine Baker to Django Reinhardt. Even during the Great Depression, he was secure as “the greatest trumpeter in Europe.” He did not, however, heed warnings to leave Paris before it fell to the Nazis, and in 1940, he was arrested and sent to the prison camp at Saint Denis. What happened at that camp, and the role Briggs played in it, is truly unforgettable. Better Days Will Come Again, based on groundbreaking research and including unprecedented access to Briggs's oral memoir, is a crucial document of jazz history, a fast-paced epic, and an entirely original tale of survival.
“Arthur Briggs is a name you may not know now but will never forget after reading the details of his life: from his humble beginnings in Grenada, to Harlem in its golden Renaissance, to Europe—primarily France—through most of the twentieth century. The trumpeter and bandleader became a Zelig of Paris’s jazz age—playing with, and for, some of the biggest names of the era: Louis Armstrong and Django Reinhardt, Josephine Baker and Ernest Hemingway. Music propels Briggs’s saga, and, for a black man adrift in a white world, is eventually his means of survival—playing classical music in a Nazi prison camp, and teaching music in the years after World War II. Atria’s storytelling is intimately detailed and grandly epic, tragic and triumphant, livingl³4