Varun Ravindran's full-length debut,Betweenness,is poetic polyphony and counterpoint. Formally inventive, at times layering multiple voices, and at other points, implementing sheet music as poetic form,
Ravindran explores spirituality; his experience as an immigrant existing in the peripheries of both Indian and American culture, but part of neither; and of history, as he speaks on his late father and grandafther, both of whom struggled with alcoholism until their deaths. Accumulating into chords and intervals, these poems unite in a song of self that contains multitudes of voice and of form. Piece-by-piece they are hyaline and complex, while the affect of the whole crescendoes into an authentic and important new voice in American poetry. US
The Zodiac of Midges
Palace of waters,
of green dark silence,
the dark green profound
sired of water
rubbing water
place of water
stone, mountains,
place of firs, sheer
green as dusk, place
of dusk. Place of dusk
like rain. Place of rain.
Place of rain
like consciousness
abyss, plenum
sea-palace
place of seas
valleys shine-creased,
lupin-creased
porousness
a pouring,
a pouringplace
into which sound —
andme —
into all of it —
teeth strung along neat rains
tossed in the breast-
soft dark all night —
the sounds of water —
wet and bit the black rocks
Mt. Hood
Hood River
Grace Su’s China Gorge
“41 years in the same place”
stranded humpbacks
the water, the soil, the soil,
soil beneath, benl3¢