The Book Of Trees [Paperback]

The outcome of spiritual contemplation is not beauty, certainly not worldly beauty, neither is the outcome worldly comfort. And yet our contemplation occurs necessarily in the world and is of the world. This is the paradox one must accept if the spiritual life is to be deepened and extended. As this absorbing book makes clear, we have nature and language to house this paradox, indeed, to give it life, that we may grasp it and live with it. An ancient world is fully alive in these poems, tended by a devoted hand. This is a rich and satisfying book, a transport and a safe return at once. One may conclude that serious contemplation is never solitary--it is, like art, an act of fellowship.

Maurice Manning, finalist for the Pulitzer Prize: author of The Gone and the Going Away (2013), and One Man's Dark (2016).

Both elegiac and radical, Sean M. Conrey's fascinating The Book of Trees imagines and recreates the voice of Saint Columba, the 6th century Irish priest and scholar once known as Columcille. Melding ekphrasis (inspired by the Ogham alphabet) and dramatic monologue, Conrey's thickly intertextual poems deftly find the seam between the Catholic and Druidic legacies of Ireland. Through the voice of one who partook in the erasure of pagan wisdom, Conrey works to recover what we might have lost in the triumph of Catholicism, to discover what Fanny Howe calls the God behind God.

Philip Metres, author of Sand Opera

In the opening lines of Willow, a poem in Sean M. Conrey's latest, The Book of Trees, Saint Columba imagines Christ in a rainless desert, a landscape he knows only through books. The poem ends with a vignette about a monk who perches on Columba's shoulders to repair a thatched roof in the midst of a downpour-- I'll admit, it's a constant struggle to love/the mud on my shoulders where he stood. With the cadence of prayer, Conrey's poems conjure the wisdom of a land that hasn't for