Byronic Heroes in Nineteenth-Century Women's Writing and Screen Adaptation charts a new chapter in the changing fortunes of a unique cultural phenomenon. This book examines the afterlives of the Byronic hero through the work of nineteenth-century women writers and screen adaptations of their fiction. It is a timely reassessment of Byron's enduring legacy during the nineteenth century and beyond, focusing on the charged and unstable literary dialogues between Jane Austen, Elizabeth Gaskell, George Eliot and a Romantic icon whose presence takes centre stage in recent screen adaptations of their most celebrated novels. The broad interdisciplinary lens employed in this book concentrates on the conflicted rewritings of Byron's poetry, his 'heroic' protagonists, and the cult of Byronism in nineteenth-century novels from Pride and Prejudice to Middlemarch, and extends outwards to the reappearance of Byronic heroes on film and in television series over the last two decades.
This book is a timely reassessment of Byron's legacy, focusing on the ever-present figure of the Byronic hero in the fiction of Jane Austen, Elizabeth Gaskell, and George Eliot, together with screen versions of their novels.
Acknowledgements
Introduction
1. Jane Austen's Byronic Heroes I: Northanger Abbey and Sense and Sensibility
2. Jane Austen's Byronic Heroes II: Persuasion and Pride and Prejudice
3. Elizabeth Gaskell's Byronic Heroes: Wives and Daughters and North and South
4. George Eliot's Byronic Heroes I: Early Works and Poetry
5. George Eliot's Byronic Heroes II: Later Works
Notes
Bibliography
Index
One of the hallmarks of this wide ranging and erudite book is the literary authority Wootton brings to the endeavor. She makes a glancing mention of Woolfs Night and Day (1919) & for example, but does so with concision, thereby providing the reader wlc^