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The Cambridge Companion to Ballet [Hardcover]

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  • Category: Books (Music)
  • ISBN-10:  0521832217
  • ISBN-10:  0521832217
  • ISBN-13:  9780521832212
  • ISBN-13:  9780521832212
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  396
  • Pages:  396
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-May-2007
  • Pub Date:  01-May-2007
  • SKU:  0521832217-11-MPOD
  • SKU:  0521832217-11-MPOD
  • Item ID: 100901143
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jan 19 to Jan 21
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A collection of essays by international writers on the evolution of ballet.This Companion traces the evolution of ballet as a theatrical art from the fifteenth to the end of the twentieth century. An international team of writers discuss important and interesting aspects of a much beloved art form that has many friends but few historical reference books.This Companion traces the evolution of ballet as a theatrical art from the fifteenth to the end of the twentieth century. An international team of writers discuss important and interesting aspects of a much beloved art form that has many friends but few historical reference books.Ballet is a paradox: much loved but little studied. It is a beautiful fairy tale; detached from its origins and unrelated to the men and women who created it. Yet ballet has a history, little known and rarely presented. These great works have dark sides and moral ambiguities, not always nor immediately visible. The daring and challenging quality of ballet as well as its perceived 'safe' nature is not only one of its fascinations but one of the intriguing questions to be explored in this Companion. The essays reveal the conception, intent and underlying meaning of ballets and recreate the historical reality in which they emerged. The reader will find new and unexpected aspects of ballet, its history and its aesthetics, the evolution of plot and narrative, new insights into the reality of training, the choice of costume and the transformation of an old art in a modern world.Foreword Ivor Guest; Chronology; Introduction Marion Kant; Part I. From the Renaissance to the Baroque: Royal Power and Worldly Display: 1. The early dance manuals and the structure of ballet: a basis for Italian, French and English ballet Jennifer Nevile; 2. Ballet de Cour Marina Nordera; 3. English masques Barbara Ravelhofer; 4. The Baroque body Mark Franko; Part II. The Eighteenth Century: Revolutions in Technique and Spirit: 5. Choreography and narrative: the ballet d'alc%
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