A comprehensive collection of critical essays on the life and work of Henry James.The Cambridge Companion to Henry James is intended to provide a critical introduction to James's work. Throughout the major critical shifts of the last fifty years, and despite suspicions of the traditional high literary culture which was James's milieu, as a writer he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work.The Cambridge Companion to Henry James is intended to provide a critical introduction to James's work. Throughout the major critical shifts of the last fifty years, and despite suspicions of the traditional high literary culture which was James's milieu, as a writer he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work.The Cambridge Companion to Henry James is intended to provide a critical introduction to James' work. Throughout the major critical shifts of the past fifty years, and despite suspicions of the traditional high literary culture that was James' milieu, as a writer he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work.Chronology; Introduction: the moment of Henry James Jonathan Freedman; 1. Men, women, and the American way Martha Banta; 2. The James' family theatricals Frances Wilson; 3. Henry James: the question of our texts Philip Horne; 4. Henry James and the invention of novel theory Dorothy Hale; 5. Henry James and the idea of evil Robert Weisbuch; 6. Queer Henry in the cage Hugh Stevens; 7. The unmentionable subject in the pupil Millicent Bell; 8. Realism, culture, and the place of literary: Henry James and The Bostonians Sara Blair; 9. Lamberl#Ç