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The Cambridge History of World Music [Paperback]

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  • Category: Books (Music)
  • ISBN-10:  1108406475
  • ISBN-10:  1108406475
  • ISBN-13:  9781108406475
  • ISBN-13:  9781108406475
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  877
  • Pages:  877
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2017
  • Pub Date:  01-May-2017
  • SKU:  1108406475-11-MPOD
  • SKU:  1108406475-11-MPOD
  • Item ID: 101453523
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Jul 13 to Jul 15
  • Notes: Brand New Book. Order Now.
The first comprehensive history of music on a global basis, laying the foundations for a sweeping history of all music.In the twenty-first century, world music increasingly connects the diverse and multicultural experiences of musicians and listeners, students and scholars, using media across the world. This History explores the very origins of world music itself, presenting the politics and ideologies of music in the world's major historical moments.In the twenty-first century, world music increasingly connects the diverse and multicultural experiences of musicians and listeners, students and scholars, using media across the world. This History explores the very origins of world music itself, presenting the politics and ideologies of music in the world's major historical moments.Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments  in Europe, Oceania, China, India, the Muslim world, North and South America  in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.Introduction: world music's histories Philip V. Bohlman; Part I. Histories of World Music: 1. On world music as a concept in the history of music scholarship Bruno Nettl; 2. Music cultures of mechanical reproduction PeterlÓ3
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