Carole King'sTapestryis both an anthemic embodiment of second-wave feminism and an apotheosis of the Laurel Canyon singer-songwriter sound and scene. And these two elements of the album's historic significance are closely related insofar as the professional autonomy of the singer-songwriter is an expression of the freedom and independence women of King's generation sought as the turbulent sixties came to a close.
Aligning King's own development from girl to woman with the larger shift in the music industry from teen-oriented singles by girl groups to albums by adult-oriented singer-songwriters, this volume situatesTapestryboth within King's original vision as the third in a trilogy (preceded byNow That Everything's Been SaidandWriter) and as a watershed in musical and cultural history, challenging the male dominance of the music and entertainment industries and laying the groundwork for female dominated genres such as women's music and Riot Grrrl punk.
Loren Glassis Professor of English at the University of Iowa, USA, with a joint appointment in the Center for the Book. He is the author of
Authors Inc.: LiteraryCelebrity in the Modern United States(2004) and
Counter-Culture Colophon: Grove Press, the Evergreen Review and theIncorporation of the Avant-Garde(2013), and co-editor of the
Post45series. In providing an effective history of Kings career and influence, Glass helps to make clear why the anniversary of
Tapestryis worthy of celebration. -
Spectrum CultureIntroduction The Mother of Us All
1. Maturity
2. Trilogy
3. Celebrity
4. Legacy
Acknowledgments
Bibliography