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Caspar David Friedrich and the Subject of Landscape: Second Edition [Paperback]

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  • Category: Books (Art)
  • Author:  Koerner, Joseph Leo
  • Author:  Koerner, Joseph Leo
  • ISBN-10:  1861894392
  • ISBN-10:  1861894392
  • ISBN-13:  9781861894397
  • ISBN-13:  9781861894397
  • Publisher:  Reaktion Books
  • Publisher:  Reaktion Books
  • Pages:  328
  • Pages:  328
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2009
  • Pub Date:  01-May-2009
  • SKU:  1861894392-11-SPLV
  • SKU:  1861894392-11-SPLV
  • Item ID: 105142981
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Oct 02 to Oct 04
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.

Caspar David Friedrich (1774–1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe’s first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective—one in which, as Freidrich wrote, the painter depicts not “what he sees before him, but what he sees within him.” This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic.

            Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters.

            “This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . It is rare to find a scholar so obviously in sympathy with his subject.”—Independent

Joseph Leo Koerneris the Victor S. Thomas Professor of History of Art and Architecture at Harvard University. His books includeThe Moment of Self-Portraiture in German Renaissance ArtandTheReformation of the Image, copublished by Reaktion Books and the University of Chicago Press. In 1995 he was elected a Fellow of the American Academy of Arts and Sciences.

PART I

Romanticizing the World

1 From the Dresden Heath

2 The Subject of Landscape

3 Romanticism

PART II

Art as Religion

4 The Non-Contemporaneity of the Contemporary

5 Sentimentalism

6 Friedrich’s System

7 Symbol and Allegory

8 The End of Iconography

PART III

ThelSú

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