Written at the height of Stalin's first five-year plan for the industrialization of Soviet Russia and the parallel campaign to collectivize Soviet agriculture, Andrei Platonov's The Foundation Pit registers a dissonant mixture of utopian longings and despair. Furthermore, it provides essential background to Platonov's parody of the mainstream Soviet production novel, which is widely recognized as one of the masterpieces of twentieth-century Russian prose. In addition to an overview of the work's key themes, it discusses their place within Platonov's oeuvre as a whole, his troubled relations with literary officialdom, the work's ideological and political background, and key critical responses since the work's first publication in the West in 1973.The Foundation Pit by Russian Soviet writer Andrei Platonov (1890-1951) was a satirical novel following the travails of a group of workers digging out a foundation pit for a gigantic House for all Proletariat and is considered by some to have been a significant influence on other state-control dystopias such as George Orwell's 1984 and Aldous Huxley's Brave New World. This volume by Seifrid (Slavic Languages and Literatures, University of Southern California) is a companion work for students studying The Foundation Pit. It offers overviews of Platonov's life and his intellectual influences; chapters describing the literary and political contexts of the work; and an exegesis of the novel that includes discussion of principal characters, important symbols, and the language employed, as well as selected annotations of events and situatons in the novelChapter One: Platonov's Life. Chapter Two: Intellectual Influences on Platonov. Chapter Three: The Literary Context of The Foundation Pit. Chapter Four: The Political Context of The Foundation Pit. Chapter Five: The Foundation Pit Itself. The generic context of Platonov's tale: the production novel. Platonov's refraction of the production novel in The Foundation Pit. Principal£z