This volume of specially commissioned work by experts in the field of film studies provides a comprehensive overview of the field. Its international and interdisciplinary approach will have a broad appeal to those interested in this multifaceted subject.
- Provides a major collection of specially commissioned work by experts in the field of film studies.
- Represents material under a variety of headings, including class, race, gender, queer theory, nation, stars, ethnography, authorship, and spectatorship.
- Offers an international approach to the subject, including coverage of topics such as genre, image, sound, editing, culture industries, early cinema, classical Hollywood, and TV relations and technology.
- Includes concise chapter-by-chapter accounts of the background and current approaches to each topic, followed by a prognostication on the future.
- Considers cinema studies in relation to other forms of knowledge, such as critical studies, anthropology, and literature.
1. Introduction: Toby Miller.
2. Authorship: James Naremore.
3. Genre: Sarah Berry.
4. Enunciation and Narration: André Gaudreault and François Jost.
5. Film Editing: Lucy Fischer.
6. Film Semiotics: Warren Buckland.
7. Cognitivism: Greg Currie.
8. Psychoanalysis: Richard Allen.
9. Spectatorship and Subjectivity: E. Deidre Pribram.
10. Laura Mulvey Meets Cathrine Tramell Meets the She-Man: Counter-History, Reclamation, and Incongruity in Lesbian, Gay, and Queer Film and Media Criticism: Julia Erhart.
11. Is There Class in this Text?: The Repression of Class in Fill³"