Written by leading figures in the field, A Companion to Italian Cinema re-maps Italian cinema studies, employing new perspectives on traditional issues, and fresh theoretical approaches to the exciting history and field of Italian cinema.
- Offers new approaches to Italian cinema, whose importance in the post-war period was unrivalled
- Presents a theory based approach to historical and archival material
- Includes work by both established and more recent scholars, with new takes on traditional critical issues, and new theoretical approaches to the exciting history and field of Italian cinema
- Covers recent issues such as feminism, stardom, queer cinema, immigration and postcolonialism, self-reflexivity and postmodernism, popular genre cinema, and digitalization
- A comprehensive collection of essays addressing the prominent films, directors and cinematic forms of Italian cinema, which will become a standard resource for academic and non-academic purposes alike
Acknowledgments xi
Notes on Contributors xii
Editor’s Notes xix
Glossary xx
Preface and In Memoriam xxiv
Part I First Things 1
1 Introduction 3
Frank Burke
2 Italian Cinema Studies: A Conversation with Peter Bondanella 16
Frank Burke
Part II Historical/Chronological Perspectives 29
Silent Cinema 29
3 Silent Italian Cinema: A New Medium for Old Geographies 31
Giorgio Bertellini
4 Stardom in Italian Silent Cinema 48
Jacqueline Reich
Fascism and Italian Cinema 6l#)