Unlike most historical examinations of war reporting which centre the evolving role of the war correspondent, Conflicting Images focuses on the contribution of photographers and photojournalists, providing an evaluative appraisal of war photography in the news and its development from the nineteenth century to the twenty-first.
List of Figures
Introduction: The In/visibilities of War Photography
Part I: The Emergence of War Photography in the Nineteenth Century
1. Photographic Dispatches from the Frontline
2. Configurations of the War Photographer
Part II: Twentieth-Century Conflicts and the Age of Photojournalism
3. Imperialism, Officialdom, and Human Interest in the First World War
4. The Emergence of Photojournalism in a Revolutionary Era
5. Photojournalism Mobilised: The Allied War Effort in the Second World War
6. Concerned Photographers between Decolonial Violence and Cold War Conflict
7. Re-Assertive Militaries and Self-Reflective Media at Centurys End
Part III: Digital Conflict Imagery in the Twenty-First Century
8. Digital Visions of the September 11 Attacks and the War on Terror
9. The Visual Doctrine of War Photography in Iraq
10. Citizen Imagery of Asymmetric Warfare