Consent in Shakespeares Classical Mediterranean fills a gap in knowledge about how female-identified and non-binary characters made choices about intimacy, engagement, and marriage in Shakespeares classical Mediterranean plays.
Artemis Preeshl is a Fulbright Senior Specialist in Theatre and professional director, actor, dialect and intimacy coach, and choreographer who has worked at Tulane University, Loyola University New Orleans, Elon University, the University of West Georgia, Utah State University, Buena Vista University, the Faculty of Creative and Artistic Technology at Universiti Teknologi MARA in Malaysia, and Kalakshetra Foundation, the University of Madras, and Central University of Tamil Nadu in India. She is the Director of the Center for Teaching, Innovation, and Research at Adams State University.
Foreword
Preface
Acknowledgements
Introduction
Chapter 1: Permission ` Consent: Prisoner Exchanged, Affirmative Consent Unchanged in Troilus and Cressida
Chapter 2: Street Rules in Coriolanus: (S)Mothering and Silenced Love in Coriolanus
Chapter 3: Ignoble Nobles: Consent in the Age of Pseudo-Chivalry in The Two Noble Kinsmen
Chapter 4: Roofied Wood: Drugs and BDSM in Reacquired Patriarchy in A Midsummer Nights Dream
Chapter 5: Gold and Girls: Timons Attempted Murder by Sex in Athens
Chapter 6: Silenced Shades: Timing Revolt Against Oppression in The Winters Tale
Chapter 7: Losing to Win: The Peril of VirglĂu
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