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The Contemporneos Group Rewriting Mexico In The Thirties And Forties [Paperback]

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  • Category: Books (Literary Criticism)
  • Author:  Salvador A. Oropesa
  • Author:  Salvador A. Oropesa
  • ISBN-10:  0292717156
  • ISBN-10:  0292717156
  • ISBN-13:  9780292717152
  • ISBN-13:  9780292717152
  • Publisher:  University of Texas Press
  • Publisher:  University of Texas Press
  • Pages:  191
  • Pages:  191
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Jun-2003
  • Pub Date:  01-Jun-2003
  • SKU:  0292717156-11-MPOD
  • SKU:  0292717156-11-MPOD
  • Item ID: 102462385
  • Seller: ShopSpell
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  • Delivery by: Jul 14 to Jul 16
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In the years following the Mexican Revolution, a nationalist and masculinist image of Mexico emerged through the novels of the Revolution, the murals of Diego Rivera, and the movies of Golden Age cinema. Challenging this image were the Contempor?neos, a group of writers whose status as outsiders (sophisticated urbanites, gay men, women) gave them not just a different perspective, but a different gaze, a new way of viewing the diverse Mexicos that exist within Mexican society. In this book, Salvador Oropesa offers original readings of the works of five Contempor?neosSalvador Novo, Xavier Villaurrutia, Agust?n Lazo, Guadalupe Mar?n, and Jorge Cuestaand their efforts to create a Mexican literature that was international, attuned to the realities of modern Mexico, and flexible enough to speak to the masses as well as the elites.

Oropesa discusses Novo and Villaurrutia in relation to neo-baroque literature and satiric poetry, showing how these inherently subversive genres provided the means of expressing difference and otherness that they needed as gay men. He explores the theatrical works of Lazo, Villaurrutia's partner, who offered new representations of the closet and of Mexican history from an emerging middle-class viewpoint. Oropesa also looks at women's participation in the Contempor?neos through Guadalupe Mar?n, the sometime wife of Diego Rivera and Jorge Cuesta, whose novels present women's struggles to have a view and a voice of their own. He concludes the book with Novo's self-transformation from intellectual into celebrity, which fulfilled the Contempor?neos' desire to merge high and popular culture and create a space where those on the margins could move to the center.

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