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A detailed study of the late Anglo-Saxon stone sculpture of Cambridgeshire and Huntingdonshire. Uses full descriptions of all known carvings as a platform for analysis of ecclesiastical and cultural location of stone-sculpture within late Anglo-Saxon and early Norman society.Corpus of Anglo-Saxon Sculpture, XIV, Cambridgeshire and Huntingdonshiresurveys the counties of Cambridgeshire and Huntingdonshire with a substantial catalogue of all known pre-Conquest stone sculpture, illustrated by high-quality photographs, maps, and interpretive drawings. A series of introductory chapters explore such topics as the history of previous scholarship, the geological and historical background, plus a detailed analysis of the new information afforded by these major survivals of Anglo-Saxon art and archaeology.
Stocker and Everson conclude that the great majority of stone sculpture from these two counties belongs to the final century of Anglo-Saxon England, during which period they were rapidly expanding ecclesiastical societies, and deeply influenced by the great monasteries of Peterborough and Ely. The quantity of eleventh-century material permits an analysis of the impact of the Norman conquest on aspects of social, ecclesiastical, and cultural life, which is a running theme through the narrative.Paul Everson,Honorary Lecturer, University of Keele, David Stocker,Hon. Visiting Professor of Medieval Studies, University of Leeds
Paul Everson previously worked for the Royal Commission on the Historical Monuments of England and English Heritage. He is a long-time Honorary Lecturer at the University of Keele and a Visiting Professor at the University of Wales Trinity St. David. Always active in the wider discipline of archaeology, Paul has maintained research and publication on a range of specialisations, from the archaeology of early gardens to gunpowder production. Together, Paul Everson and David Stocker have forged a productive research parlƒ&