In this detailed study of literary culture in the inter-war period, Jason Harding examines the standing of T. S. Eliot's journal the
Criterionin relation to other literary periodicals and, beyond that, to the larger cultural networks of the time. Through his examination of insufficiently known archive material and interviews with living witnesses to the period, Harding significantly alters our understanding of the journal and of Eliot's role as editor.
Abbreviations
Introduction
I: Periodical Networks1. The
Adelphi: The Reaction against Romanticism
2. The
Calendar: Standards of Criticism
3.
Scrutiny: Critics from Cambridge
4.
New Verse: An Oxford Clique
II: The Politics of Book Reviewing5. Herbert Read: Anarchist Aide-de-Camp
6. Bonamy Dobree: Agreeable Sceptic
7. Montgomery Belgion: A Useful Irritant
8. Michael Roberts and Janet Adam Smith: New Signatures
III: Cultural Politics9. A Religio-Political Organ
10. Defence of the West
Afterword
Select Bibliography
Index
Harding's account of the
Criterionproves a fascinating addition to the wealth of scholarship that has examined Eliot's role not only as a critic but also in the publishing world as an editor....
TheCriterion:
Cultural Politics and Periodical Networks in Inter-War Britain...offers a fascinating new entry into a wider debate concerning the practice of modernist scholarship. --Taryn L. Okuma, University of Wisconsin-Madison
Harding's assiduously researched study of [
The Criterion] is excellent at nipping behind its tone of Olympian hauteur to reveal the sectarian, manipulative, suavely malicious politics of the literary marketplace that lie behind it. -- Terry Eagleton,
London Review of Books Harding has scoured the sources and offers a rich picture of the era's literary history.... A mastl#R