ShopSpell

With a Crooked Stick--The Films of Oscar Micheaux [Paperback]

$30.99       (Free Shipping)
95 available
  • Category: Books (Performing Arts)
  • Author:  Green, J. Ronald
  • Author:  Green, J. Ronald
  • ISBN-10:  0253217156
  • ISBN-10:  0253217156
  • ISBN-13:  9780253217158
  • ISBN-13:  9780253217158
  • Publisher:  Indiana University Press
  • Publisher:  Indiana University Press
  • Pages:  328
  • Pages:  328
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Feb-2004
  • Pub Date:  01-Feb-2004
  • SKU:  0253217156-11-MPOD
  • SKU:  0253217156-11-MPOD
  • Item ID: 101472222
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Jul 13 to Jul 15
  • Notes: Brand New Book. Order Now.

With a crooked stick, filmmaker Oscar Micheaux (18841951) sought to hit a straight lick by stressing the strategic importance of class mobility, or uplift, for African Americans. A theme in all of his more than 40 feature-length, black-produced, black-directed, black-cast, and black-audience films, uplift would allow for the better things in life: fast cars and fancy clothes, freedom of belief, financial security, and an unencumbered intellectual life. Although racism was an impediment to uplift for Micheaux and other African Americans, race as a category was of a secondary order for him in the larger game of class. In With a Crooked Stick, J. Ronald Green pursues this seeming contradiction in a detailed analysis of each of Micheauxs 15 surviving films. He presents critical commentary on each films plot and action and its contribution to the overall theme of uplift. Readers will also find this an invaluable guide to the preoccupations and features of Micheauxs remarkable career and the insight it provides into the African American experience of the 1920s and 30s.

Following up on his outstanding Straight Lick: The Cinema of Oscar Micheaux (CH, Mar'01), Green focuses on 15 of the more than 40 all-black films the African American novelist-director made between 1919 and 1948. The biographical chapter sharply outlines the US racial context, Micheaux's challenges as a prototypical independent, and autobiographical elements in his films and seven novels. Between his treatment of the silents and the sound films, the author pauses to examine Hollywood's black-cast musicals, whose theme of spiritual uplift Micheaux always subordinated to class advancement. Anticipating the poststructuralists, Micheaux's brand of musical quotation .. directly serves his principal rhetorical concern: the treating of the disease of ethnic caricature. Despite a somewhat formulaic analysis of the films, Green clearly establishes Micheaux's unrelenting critique of white supremacism l 
Add Review