Cultural Identity in British Musical Theatre, 18901939 Knowing Ones Place [Hardcover]

This book examines the performance of Britishness on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of Britishness, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of Britishness, reflecting the anxieties of a nation in decline.1. The British Musical in Seven Stories.Ben Macpherson is Senior Lecturer in Musical Theatre in the School of Media and Performing Arts at the University of Portsmouth, UK. His publications include Voice Studies: Critical Approaches to Process, Performance and Experience (co-edited with Konstantinos Thomaidis, 2015) and he has written widely on both voice studies and British identity in musical theatre.This book examines the performance of Britishness on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the lóY