By the time of his death, Herve Guibert had become a singular literary voice on the impact of AIDS in France. He was prolific. His oeuvre contained some twenty novels, including To the Friend Who Did Not Save My Life and The Compassion Protocol. He was thirty-six years old. In Cytomegalovirus, Guibert offers an autobiographical narrative of the everyday moments of his hospitalization because of complications of AIDS. Cytomegalovirus is spare, biting, and anguished. Guibert writes through the minutiae of living and of deathas a quality of invention, of melancholy, of small victories in the face of greater threatsat the moment when his sight (and life) is eclipsed.
This new edition includes an Introduction and Afterword contextualizing Guiberts work within the history of the AIDS pandemic, its relevance in the contemporary moment, and the importance of understanding the quotidian aspects of terminal illness.
Like Roland Barthess Mourning Diary, Herv? Guiberts hospitalization diary speaks with moonlit clarity about the threshold between life and death; with this heartbreaking and exemplary book Guibert has earned literary immortality.In this medical humanities classic, the vulnerable yet unabashedly confrontational Herv? Guibert dissects the solitary hospital body that he and unknown others have become exam after exam, drug after drug, humiliation after humiliation, scream after scream. The writers urgent will to live and poignant desire to invent relations inside and outside the hospital are nothing short of breathtaking.Guibert's
Cytomegalovirusstands alone. Soon after it was first published and subsequently translated into English, the text became trusted as the artful encapsulation of a particular time of AIDS... This excellent new edition clearly marks the lasting significance of Guiberts writing.To read Guiberts journal of faltering vision is to teeter at the portal to many worlds. He stands, like Saramago, between light and darkneslÓ,