Dancing Jewish Jewish Identity in American Modern and Postmodern Dance [Paperback]

While Jews are commonly referred to as the people of the book, American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political agendas; and imagine new possibilities for themselves as individuals, artists, and Jews.Dancing Jewishdelineates this rich history, demonstrating that Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but that they have also played a critical and unacknowledged role in the history of Jews in the United States.

A dancer and choreographer, as well as an historian, author Rebecca Rossen offers evocative analyses of dances while asserting the importance of embodied methodologies to academic research. Featuring over fifty images, a companion website, and key works from 1930 to 2005 by a wide range of artists - including David Dorfman, Dan Froot, David Gordon, Hadassah, Margaret Jenkins, Pauline Koner, Dvora Lapson, Liz Lerman, Sophie Maslow, Anna Sokolow, and Benjamin Zemach -Dancing Jewishoffers a comprehensive framework for interpreting performance and establishes dance as a crucial site in which American Jews have grappled with cultural belonging, personal and collective histories, and the values that bind and pull them apart.

Introduction
Prelude: Make Me a Jewish Dance
Act I: Dancing the Jew
Chapter 1: The Dancing Jew(ess): Ethnic Ambiguity and Hasidic Drag
Chapter 2: Biblical Heroines and Anti-Heroines
Chapter 3: The Jewish Man and His Dancing Shtick
Entr'acte: Make Me a Jewish Dance
Act II: Dancing Jewish
Chapter 4: Dancing Folk: Jewish Memory and Amnesia
Chapter 5: Dancing Zionism, Embodying Conflict
Conclusion: Dancing Jewish, Dancing American
Curtain Call: Dance Me My Jewish Dance
Bibliography
Index

Recipient, Special Citation from the de la Torre Bueno Prize, Society of Dance History Scholars