Simon Gilson examines Dante's reception in Florence in the fourteenth and fifteenth centuries.Simon Gilson examines Dante's reception in Florence in the fourteenth and fifteenth centuries, when Dante was represented, commemorated and debated in all media in a wide variety of ways. Gilson pays particular attention to Dante's influence on major authors such as Boccaccio and Petrarch, on Italian humanism, and on civic identity and popular culture in Florence. Ranging across literature, philosophy and art, across languages and across social groups, Gilson's study fully illuminates for the first time Dante's central place in Italian Renaissance culture and thought.Simon Gilson examines Dante's reception in Florence in the fourteenth and fifteenth centuries, when Dante was represented, commemorated and debated in all media in a wide variety of ways. Gilson pays particular attention to Dante's influence on major authors such as Boccaccio and Petrarch, on Italian humanism, and on civic identity and popular culture in Florence. Ranging across literature, philosophy and art, across languages and across social groups, Gilson's study fully illuminates for the first time Dante's central place in Italian Renaissance culture and thought.Simon Gilson examines Dante's reception in Florence in the fourteenth and fifteenth centuries, when Dante was represented, commemorated and debated in a variety of ways. Paying particular attention to Dante's influence on major authors such as Boccaccio and Petrarch, Italian humanism, and civic identity and popular culture in Florence, Gilson ranges across literature, philosophy and art, languages and social groups.List of illustrations; Acknowledgements; List of abbreviations; Introduction; Part I. Competing Cults: the Legacy of the Trecento and the Impact of Humanism, 13501430: 1. Boccaccio and Petrarch; 2. Florentine humanism and vernacular culture: perspectives on Dante, 13751430; Part II. New Directions and the Rise of the Vernacular, 1430l³.