Professor Miller examines prominent writers and painters of nineteenth-century America who explored the scenery of swamps, jungles, and other wastelands.Professor Miller examines prominent writers and painters of nineteenth-century America who explored the scenery of swamps, jungles, and other wastelands. Through this examination, Miller discusses the changing social realities around the Civil War and the deep-seated personal pressures that the urbanised and technological environment had on these artists.Professor Miller examines prominent writers and painters of nineteenth-century America who explored the scenery of swamps, jungles, and other wastelands. Through this examination, Miller discusses the changing social realities around the Civil War and the deep-seated personal pressures that the urbanised and technological environment had on these artists.An important though little understood aspect of the response to nature of nineteenth-century Americans is the widespread interest in the scenery of swamps, jungles and other waste lands. Dark Eden focuses on this developing interest in order to redefine cultural values during a transformative period of American history. Professor Miller shows how, for many Americans in the period around the Civil War, nature came to be regarded less as a source of high moral insight and more as a sanctuary from an ever more urbanized and technological environment. In the swamps and jungles of the South a whole range of writers found a set of strange and exotic images by which to explore the changing social realities of the times and the deep-seated personal pressures that accompanied them.List of Illustrations; Acknowledgements; Introduction; Part I. The Matrix of Transformation: 1. To the lake of the dismal swamp: Porte Crayon's inward journey; 2. The elusive Eden: the mid-Victorian response to the swamp; 3. Mid-Victorian cultural values and the amoral landscape: the swamp image in the work of William Gilmore Simms and Harriet Bl#;