Deep Ends 2016 is a full-size, fill colour anthology featuring 27 of today's top J.G. Ballard scholars, artists, and informed Ballardians. Contents include: Ballard/Baxter/Ballard: In Conversation, by Fay Ballard and Jeannette Baxter, Empires of the Self: J.G. Ballard's Autobiographical Novels, by D. Harlan Wilson, two poems by Richard Brown -- Super-Mare and Afterwords, J.G. Ballard's Elaborately Signalled Landscape' The Drafting of Concrete Island by Chris Beckett (includes 10 pages of manuscript, including Ballard's screenplay of Concrete Island), Ballard, Wyndham and the English Disaster Story Tradition, by Dominika Oramus, A Ballard/Moorcock Chronology: 1963-1965 by David Pringle, J.G. Ballard & the Ethics & Aesthetics of the End of Time by Elana Gomel, Love Triangle of the Hermaphrodite: Dali, Ballard and Theroux by Lawrence Russell, Ballardian Topographies by David Manley, Waste in J.G. Ballard's Urban Disaster Trilogy and The Ben Wheatley and Amy Jump Rendition of High-Rise by Rachele Dini, J.G. Ballard's Adventures in Potential Literature by David Paddy, Nature Recaims Her Own: J.G. Ballard's The Drowned World by Adrian Tait, Testing Reality: A Middlesex Routine, an interview by Bernard Sigaud, A Giant Trilobite in the Desert: Spaceport America and The Voices of Time by James Reich, An Atrocity Stockist: My Experiences Selling J.G. Ballard's Works in Britain's Mainstream Bookshops, 1984-2016, by Stephen Andrews, The Speculative Turn and J.G. Ballard's Extro-Science Fiction, by Andrew Wenaus, The Colonial Imaginary in Verne, Roussel, Jarry and Ballard, by Paul March-Russell, The Plƒf