This book assesses key works of twentieth-century dystopian fiction, including Katharine Burdekins
Swastika Night, George Orwells
Nineteen Eighty-Four, and Margaret Atwoods
The Handmaids Tale, to demonstrate that the major authors of this genre locate empathy and morality in eroticism. Taken together, these books delineate a subset of politically conscious speculative literature, which can be understood collectively as projected political fiction. While Thomas Horan addresses problematic aspects of this subgenre, particularly sexist and racist stereotypes, he also highlights how some of these texts locate social responsibility in queer and other non-heteronormative sexual relationships. In these novels, even when the illicit relationship itself is truncated, sexual desire fosters hope and community.
1. Introduction
2. The Sexualized Proletariat in Jack Londons The Iron Heel
3. Redemptive Atavism in Yevgeny Zamyatins We
4. The Sexual Life of the Savage in Aldous Huxleys Brave New World
5. Katherine Burdekins Swastika Night, a Gay Romance
6. Distortions of Queer Desire in Ayn Rands Anthem
7. Desire and Empathy in George OrwellsNineteen Eighty-Four
8. Ludic Perversions and Enduring Communities in Margaret Atwoods The Handmaids Tale
9. Conclusion.
Thomas Horan is Associate Professor of English at The Citadel, Charleston, USA. He has previously published articles in a number of journals. He edited
Critical Insights: Nineteen Eighty-Four (2016) and is currently editing
Critical Insights: Animal Farm.This book assesses key wl£I