The 160-year history of the saxophone comes to brilliant life in Michael Segell's wonderfully researched, beautifully toldThe Devil's Horn. Beginning with a sound never heard before, Segell's portrait follows the iconographic instrument as it is lauded for its sensuality, then outlawed for its influence, and finally credited with changing the face of popular culture. A deeply personal story of one man's love for music-making, a universal story of artistic and political revolution, and a trenchant critique of the global forces that stand in art's way,The Devil's Hornis music writing at its very finest.
Michael Segellis an amateur percussionist and saxophone player and a professional music lover. He is the author ofStandup Guy,and his writing has appeared in numerous publications, includingThe New York Times, Rolling Stone, Sports Illustrated,andEsquire,where he wrote the popular column The Male Mind. He has received two National Magazine Award nominations for his work. He lives with his wife and children in New York City and Long Eddy, New York.
Would someone please forward Segell the memo that states that books about jazz are supposed to be academic and soporific? . . . [A] freewheeling tribute . . . [with] exuberance that is everywhere to be found. The New York Times Book Review
[A] historical and deeply personal tribute to the saxophone . . . [The Devil's Horn] will reward and surprise readers who may have thought they knew something about the horn simply because they've spent a lifetime listening. Baltimore Sun
Segell has produced a minor miracle: a book on jazz that does not rely on largely unrevealing anecdotal tidbits, hip talk, one-upmanship . . . and dazzling (but superfluous) adjectives. . . . It is humorous, enlightening, instructive, and revealing to a degree that it may forever change your attitude toward the sax. The Roanoke Times
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