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Documentary [Paperback]

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  • Category: Books (Performing Arts)
  • Author:  Saunders, David
  • Author:  Saunders, David
  • ISBN-10:  0415473101
  • ISBN-10:  0415473101
  • ISBN-13:  9780415473101
  • ISBN-13:  9780415473101
  • Publisher:  Taylor & Francis
  • Publisher:  Taylor & Francis
  • Pages:  288
  • Pages:  288
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Dec-2010
  • Pub Date:  01-Dec-2010
  • SKU:  0415473101-11-MPOD
  • SKU:  0415473101-11-MPOD
  • Item ID: 101398040
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Oct 05 to Oct 07
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.

@contents: Selected Contents: Acknowledgements  Introduction  Part I: A Troubled and Difficult Art: A Brief Introduction to Non-Fiction Film  Chapter One: The D Word: Definitions, Obligations and Functions  Chapter Two: Major Trends, Movements and Voices  Part II: Reading Non-Fiction: Case Studies, Concepts and Criticism  Chapter Three: Pioneers  Nanook of the North (1922): Narrativising the Real  The Man with the Movie Camera (1929): Montage and Ideology  Night Mail (1936): The Poetics and Politics of Class  Chapter Four: Bards  Night and Fog (1955): Articulating the Unspeakable  My Winnipeg (2006): A City of the Mind  Waltz With Bashir (2008): Conflict and Memory  Chapter Five: Performers  Tarnation (2003): Performance and Autobiography  Sicko (2007): Michael Moore, Documentary Superstar  Say My Name (2009); Anvil: The Story of Anvil (2009): Rockumentary Revivals  Conclusion: New Challenges, Territories and Directions  A Select, Chronological Filmography  Bibliography

Dave Saunders spirited introduction to documentary covers its history, cultural context and development, and the approaches, controversies and functions pertaining to non-fiction filmmaking. Saunders examines the many methods by which documentary conveys meaning, whilst exploring its differing societal purposes.

After a historical consideration of international documentary production, the author examines the impact of recent technological developments on the production, distribution and viewing of non-fiction. In addition, he explores the increasingly hazy distinctions between factual and dramatic formats, discussing reality television, the docu-drama, alC&

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