Contemporary theory is full of references to the modern and the postmodern. How useful are these terms? What exactly do they mean? And how is our sense of these terms changing under the pressure of feminist analysis?
InDoing Time, Rita Felski argues that it makes little sense to think of the modern and postmodern as opposing or antithetical terms. Rather, we need a historical perspective that is attuned to cultural and political differences within the same time as well as the leaky boundaries between different times.
Neither the modern nor the postmodern are unified, coherent, or self-evident realities. Drawing on cultural studies and critical theory, Felski examines a range of themes central to debates about postmodern culture, including changing meanings of class, the end of history, the status of art and aesthetics, postmodernism as the end of sex, and the politics of popular culture. Placing women at the center of analysis, she suggests, has a profound impact on the way we thing about historical periods. As a result, feminist theory is helping to reshape our vision of both the modern and the postmodern.
In these captivating essays, Rita Felski weaves together an important and original inquiry into the tangled relations among postmodernism, modernity, class politics, and feminism. Refusing the solace of & final' answers, Felski offers instead a series of vibrant investigations into the gray zones of lived relations. Doing Time is lucidly written, powerfully theorized, trenchantly argued, and compels us to reevaluate the cultural contexts through which & modernity' has been understood. Through a composite itinerary which mirrors the amplitude of the author's theoretical interests-in the borderland between literary criticism, philosophy, sociology and cultural studies-the volume contributes to the debate on postmodernism/poststructuralism/feminism with particular force and argumentative intelligence. In fact, the perspective it opens challenlƒ7