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Dylan Thomas [Paperback]

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  • Category: Books (Literary Criticism)
  • Author:  Goodby, John, Wigginton, Chris
  • Author:  Goodby, John, Wigginton, Chris
  • ISBN-10:  1789149320
  • ISBN-10:  1789149320
  • ISBN-13:  9781789149326
  • ISBN-13:  9781789149326
  • Publisher:  Reaktion Books
  • Publisher:  Reaktion Books
  • Pages:  240
  • Pages:  240
  • Binding:  Paperback
  • Binding:  Paperback
  • SKU:  1789149320-11-SPLV
  • SKU:  1789149320-11-SPLV
  • Item ID: 106820976
  • List Price: $17.54
  • Seller: ShopSpell
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  • Delivery by: Oct 02 to Oct 04
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.
An accessible introduction to the life and work of the inventive Welsh poet.
 
Dylan Thomas—author of some of the century’s greatest poetry, stories, and film scripts as well as one of the greatest radio features ever broadcast,Under Milk Wood—is often characterized as self-indulgent. This concise and up-to-date biography challenges this depiction with a fresh portrait of the artist as a consummate professional. John Goodby and Chris Wigginton locate the source of Thomas’s daring and inventive style in the poet’s Anglo-Welsh origins as well as his historical, cultural, and social contexts: the Great Depression and 1930s literary London, surrealism, World War II, and Cold War popular culture. The result is a revealing and fresh introduction to the life and work of this important Welsh writer.John Goodbyis professor of arts and culture at Sheffield Hallam University. The leading authority on Dylan Thomas, he has written extensively on his work and edited hisCollected Poems.Chris Wiggintonis pro-vice-chancellor of Sheffield Hallam University. His books includeModernism from the Margins: The 1930’s Poetry of Louis MacNeice and Dylan Thomas.

A fresh account of Thomass life in light of a new understanding and fresh discoveries of Thomass lyric poetry, short stories, film scripts, and letters, ranging from experimental to more mainstream styles. . . . Highly recommended.

"In an astonishing statement Dylan Thomas declared “So many modern poets take the living flesh as their object, and, by their clever dissection, turn it into a carcass. I prefer to take the dead flesh, and . . . build up a living flesh from it.” This describes exactly the achievement of Thomas’s revivalist biographers: they have conjured away the dead heritage body and the caricature of Thomas’s life and poetry as coagulated emissions, quickening both life and poems to tralSú