A revolutionary book tracing the collapse of the paradigms that have organized the world for centuries
InDysphoria Mundi, Paul B. Preciado, best known for his 2013 cult classicTesto Junkie, has written a mutant text assembled from essays, philosophy, poetry, and autofiction that captures a moment of profound change and possibility. Rooted in the isolation of the COVID-19 pandemic, and taking account of the societal convulsions that have ensued, Preciado tries to make sense of our times from within the swirl of a revolutionary present moment.
The central thesis of this monumental work is that dysphoria, to be understood properly, should not be seen as a mental illness but rather as the condition that defines our times. Dysphoria is an abyss that separates a patriarchal, colonial, and capitalist order hurtling toward its end from a new way of being that, until now, has been seen as unproductive and abnormal but is in fact the way out of our current predicament.
With echoes of visionaries such as William S. Burroughs and Kathy Acker, Preciados theoretical writing is propelled by lyric power while providing us with a critical toolbox full of new concepts that can guide our thinking and our actions: transition, cognitive emancipation, denormalization, disidentification, electronic heroin, digital coups, necro-kitsch.Dysphoria Mundiis Preciados most accessible and significant work to date, in which he makes sense of a world in ruins around us and maps a joyous, radical way forward.
A revolutionary book tracing the collapse of the paradigms that have organized the world for centuriesPaul B. Preciadois the author of
Can the Monster Speak?,
Countersexual Manifesto, and
Testo Junkie, among other books, and wrote and directed the film
Orlando, My Political Biography. He lives in Paris.
Preciados monumental work brings the commitments of the bibliophile to bear on a time and a wlƒÙ