East Germany's film monopoly, Deutsche Film-Aktiengesellschaft, produced a films ranging beyond simple propaganda to westerns, musicals, and children's films, among others. This book equips scholars with the historical background to understand East German cinema and guides the readers through the DEFA archive via examinations of twelve films.PART I: EAST GERMAN CINEMA 1. East German Cinema as State Institution 2. Reciprocities and Tensions: DEFA and the East German Entertainment Industry 3. A Cultural Legacy: DEFA's Afterlife PART II. FREEZES AND THAWS: CANONIZING DEFA 4. The Rubble Film, Wolfgang Staudte, and Post-War German cinema: Die M?rder sind unter uns (The Murderers Are Among Us) 5. Fairytales and Children's Films as Eternal Blockbusters: Die Geschichte vom Kleinen Muck (The Story of Little Mook) 6. The Gegenwartsfilm, West Berlin as Hostile Other, and East Germany as Homeland: The Rebel Film Berlin Ecke Sch?nhauser (Berlin Sch?nhauser Corner) 7. The Birth of DEFA Genre Cinema, East German Sci-fi Films, New Technologies, and Co-production with Eastern Europe: Der schweigende Stern (Silent Star) 8. Film Censorship, the East German Nouvelle Vague, and the 'Rabbit Films': Das Kaninchen bin ich (The Rabbit is Me) 9. Renegade films, DEFA Musicals, and the genre cinema: Hei?er Sommer (Hot Summer) 10. More Genre Cinema, The 'Red Western,' and Stardom in East Germany: Apachen (Apaches) 11. Gender, Class, and Sexuality: Ending Taboos in Die Legende von Paul und Paula (The Legend of Paul and Paula) 12. DEFA and the Holocaust, the Antifascist Legacy, and International Acclaim: Jakob der L?gner (Jacob the Liar) 13. The Women's Film, Konrad Wolf, and DEFA After the 'Biermann Affair': Solo Sunny 14. Passed by History: Dystopia, Parable, and Bookend: Die Architekten (The Architects) 15. The Wendeflicks, J?rg Foth, and DEFA after censorship: Letztes aus der Da-Da-eR (Latest from the Da-Da-eR)
Sebastian Heiduschke has produced a fine introduction to the cinema of l³"