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Eccentric Renaissance: El Greco, Michael Damaskenos, Georgios Klontzas [Hardcover]

$102.99       (Free Shipping)
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  • Category: Books (Art)
  • Author:  Barber, Charles
  • Author:  Barber, Charles
  • ISBN-10:  0190209003
  • ISBN-10:  0190209003
  • ISBN-13:  9780190209001
  • ISBN-13:  9780190209001
  • Publisher:  Oxford University Press
  • Publisher:  Oxford University Press
  • Pages:  336
  • Pages:  336
  • Binding:  Hardcover
  • Binding:  Hardcover
  • SKU:  0190209003-11-MING
  • SKU:  0190209003-11-MING
  • Item ID: 107024590
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Oct 09 to Oct 11
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.
Eccentric Renaissanceshows how El Greco and two other sixteenth-century Cretan artists, Michael Damaskenos and Georgios Klontzas, actively engaged in a re-casting of the Byzantine tradition of icon painting on the Venetian colony of Crete. In so doing, they created art that articulated a point of view that was shaped outside of and against the hegemonic world of Vasari's account of art history. Building upon their own tradition, they developed a highly original understanding of the icon and explored its power to reconcile Byzantine and Renaissance styles of painting and provide a response to the growing presence of Islam.The Byzantine icon has long remained marginal to the study of art's history, only emerging from Giorgio Vasari's condemnation of the gilded, unnatural style of Byzantine painting (maniera greca) when his theories were challenged in the early twentieth century.Eccentric Renaissancefocuses on an earlier reaction to Vasari's narrative and discusses three artists who shaped distinct responses to the hegemonic sway of sixteenth-century Italian art. Domenikos Theotokopoulos (more familiarly known as El Greco), Michael Damaskenos, and Georgios Klontzas were contemporary icon painters on the Venetian colony of Crete. Trained in the rich tradition of Cretan painting, these artists differed from their forebears in asserting a self-conscious creativity in their work. They renewed the art of icon painting in the context of Venetian colonialism by reconsidering how their art might address the contemporary world.Deemed eccentric, El Greco's work presented a Greek path contrary to the one promoted in Vasari's history of art. His was an art that was sensual, complex, and difficult. Michael Damaskenos's profound engagement with Venetian painting was mixed with traditional iconic styles, reflecting life in a colony in which Orthodox and Catholic, Greek and Venetian were fluid rather than static descriptors of the self. Georgios Klontzas usel3$
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