Economy, Emotion, and Ethics in Chinese Cinema Globalization on Speed [Hardcover]

The First and Second Comings of capitalism are conceptual shorthands used to capture the radical changes in global geopolitics from the Opium War to the end of the Cold War and beyond. Centring the role of capitalism in the Chinese everyday, the framework can be employed to comprehend contemporary Chinese culture in general and, as in this study, Chinese cinema in particular.

This book investigates major Chinese-language films from mainland China, Taiwan, and Hong Kong in order to unpack a hyper-compressed capitalist modernity with distinctive Chinese characteristics. As a dialogue between the film genre as a mediation of microscopic social life, and the narrative of economic development as a macroscopic political abstraction, it engages the two otherwise remotely related worlds, illustrating how the State and the Subject are reconstituted cinematically in late capitalism. A deeply cultural, determinedly historical, and deliberately interdisciplinary study, it approaches culture anthropologically, as a way of life emanating from the everyday, and aesthetically, as imaginative forms and creative expressions.

Economy, Emotion, and Ethics in Chinese Cinemawill appeal to students and scholars of Chinese cinema, cultural studies, Asian studies, and interdisciplinary studies of politics and culture.

Introduction: Culture and Contemporary Chinese Cinema in the Second Coming of Capitalism Part I: Homo Economicus: Individual Liberty and Market Dependency1. Primitive Accumulation and the Emergence of the Liberal Subject in the Peoples Republic: Zhang Yimous Red Sorghumand Zhou Xiaowens Ermo 2. Crazy Englishwith a Chinese Face: Zhang Yuans Documentary on the Neoliberal Pedagogy of the Self Part II: Homo Sentimentalis: The Transformation of Family and Intimacy3lã}