Ekphrasis, Memory and Narrative after Proust: Prose Pictures and Fictional Recollection [Paperback]

This book explores the relationship between ekphrasis and memory in the novel. Drawing on? la recherche du temps perdu, Leonid Bilmes considers how Vladimir Nabokov, W. G. Sebald, Ben Lerner, Ali Smith and Lydia Davis have employed and reshaped Proust's way of depicting the recollected past.

InAda,Austerlitz,10:04,How to Be BothandThe End of the Story, memory images are variously transposed into intermedial descriptions that inform the narrator's story, just as they serve to shape the reader's own remembrance of each of these narratives. Ekphrasis in the novel after Proust, Bilmes argues, acts as a distinct site within the text where past and present, self and other, image and text, seeing and hearing, are ever on the brink of reconciliation.

The book surveys a wide field of critical inquiry, encompassing classical theorizations of ekphrasis, philosophical explorations of memory and visuality, as well as seminal studies of image-text relations by, among others, W. J. T. Mitchell, Jean-Luc Nancy and Liliane Louvel. Bilmes's compelling dialogue with theory and literature evinces the underexplored bond between ekphrasis and memory in the contemporary novel.

Ekphrasis, Memory and Narrative After Proustexplores the uses of ekphrasis, and develops the poetics of image/text in contemporary critical and literary work. The fair discussion of the main theories on the subject is developed in subtle close readings of works by Marcel Proust extended to contemporary novels. A highly readable book that will be a precious tool for future research. Liliane Louvel, EmlsJ