Examines the role the fable played in the development of English literature and culture in the period 16511740.Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. In The English Fable, Jayne Elizabeth Lewis describes the explosion of interest in fable from its origins at the end of the English Civil Wars to its decline, and shows how three Augustan writers -- John Dryden, Anne Finch and John Gay -- experimented with fable as a literary form. Often underestimated because of its links with popular non-literary forms, fable is shown to have played a major role in the formation of modern English culture.Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. In The English Fable, Jayne Elizabeth Lewis describes the explosion of interest in fable from its origins at the end of the English Civil Wars to its decline, and shows how three Augustan writers -- John Dryden, Anne Finch and John Gay -- experimented with fable as a literary form. Often underestimated because of its links with popular non-literary forms, fable is shown to have played a major role in the formation of modern English culture.Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. Jayne Elizabeth Lewis decribes the explosion of interest in fable from its origins at the end of the English Civil Wars to its decline, and shows how three Augustan writers--John Dryden, Anne Finch and John Gay--experimented with fable as a literary form. Often underestimated because of its links with popular nonliterary forms, fable is shown to have played a major role in the formation of the modern English culture.Acknowledgments; Introduction: The English fable; 1. Aesopiean examples: the English fable collection and its authors, 16511740; 2. 'The first pieces of wit': Augustal&