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Erotic Cartographiesuses subjective mapping, a participatory data collection technique, to demonstrate how Trinidadian same-sex-loving women use their gender performance, erotic autonomy, and space-making practices to reinforce and resist colonial ascriptions on subject bodies. The women strategically embody their sexual identities to challenge imposed subject categories and to contest their invisibility and exclusion from discourses of belonging.Erotic Cartographiesrefers to the processes of mapping territories of self-knowing and self-expression, both cognitively in the imagination and on paper during the mapping exercise, exploring how meaning is given to space, and how it is transformed. Using the women’s quotes and maps, the book focuses on the false binary of public-private, the practices of home and family, and religious nationalism and spiritual self-seeking, to demonstrate the women’s challenges to the structural, symbolic, and interpersonal violence of colonial discourses and practices related to gender, knowledge, and power in Trinidadian society.Erotic Cartographiesuses maps drawn by Trinidadian same-sex-loving women to demonstrate how their gender performance, erotic autonomy, and space-making practices contest their invisibility and exclusion from discourses of belonging, and challenge colonial discourses and practices related to gender, knowledge, and power in Trinidadian society.KRYSTAL NANDINI GHISYAWAN is an independent Indo-Trinidadian queer scholar, educator, and activist currently living in Lawrenceville, Georgia.List of Illustrations Note on Trinidadian Language Prologue Part I: Introduction and Methodology 1 Introduction: Erotic Cartographies and the Decolonial 2 Subjective Mapping: Queer Decolonial Methodology Part II: Confronting Binaries: Space, Gender, and Social Class 3 Being in Public: Queer Transnational Subjectivities 4 Contesting “Home”: Ul3�