Etruria and Anatolia: Material Connections and Artistic Exchange [Paperback]

Explores trans-Mediterranean connections between peoples, cultures, and artistic traditions traditionally marginalized by Graeco-Roman bias.Explores what the striking similarities in Etruscan and Anatolian material culture reveal about contact and exchange between these distant regions in the Mediterranean. Identifies shared practices, common visual language and movements of objects and artisans in both directions and presents a complex picture of connectivity's modes and implications.Explores what the striking similarities in Etruscan and Anatolian material culture reveal about contact and exchange between these distant regions in the Mediterranean. Identifies shared practices, common visual language and movements of objects and artisans in both directions and presents a complex picture of connectivity's modes and implications.Striking similarities in Etruscan and Anatolian material culture reveal various forms of contact and exchange between these regions on opposite sides of the Mediterranean. This is the first comprehensive investigation of these connections, approaching both cultures as agents of artistic exchange rather than as side characters in a Greek-focused narrative. It synthesizes a wide range of material evidence from c. 800  300 BCE, from tomb architecture and furniture to painted vases, terracotta reliefs, and magic amulets. By identifying shared practices, common visual language, and movements of objects and artisans (from both east to west and west to east), it illuminates many varied threads of the interconnected ancient Mediterranean fabric. Rather than trying to account for the similarities with any one, overarching theory, this volume presents multiple, simultaneous modes and implications of connectivity while also recognizing the distinct local identities expressed through shared artistic and cultural traditions.Introduction: Etruria, Anatolia, and Wider Mediterranean Connectivity Lisa C. Pieraccini and Elizabeth P. Baughan; Part I. BroadeninlcN