Michael Le Grice, a pioneer of structural film in the 1970s and whose first video and computer works were exhibited in the late 1960s, provides a collection of his most notable essays. The essays shed light on the work of other artists and film-makers and documents a period, especially the 70s, when artists' film was at the centre of polemical debate about the nature of avant-garde and the future of radical or experimental film. The book contributes to the contemporary debates about film, video, art and new technology.Malcolm Le Grice is a film-maker whose works have featured in major international exhibitions and, like Berlin Horse, Sketches for a Sensual Philosophy and Chronos Fragmented, been shown on television. He is currently Professor and Head of Research at Central St Martins College of Art and Design in London.Michael Le Grice, a pioneer of structural film in the 1970s and whose first video and computer works were exhibited in the late 1960s, provides a collection of his most notable essays. The essays shed light on the work of other artists and film-makers and documents a period, especially the 70s, when artists' film was at the centre of polemical debate about the nature of avant-garde and the future of radical or experimental film. The book contributes to the contemporary debates about film, video, art and new technology.