R. CHRIS HASSEL JR. is a professor emeritus of English at Vanderbilt University. He is the author of numerous books and articles on Christian motifs in Shakespeare’s plays, including
Renaissance Drama and the English Church Year and
Shakespeare’s Religious Language: A Dictionary, which is part of the Athlone Shakespeare Dictionary series.An enduring debate among scholars has focused on the degree to which Shakespeare’s plays are indebted to the Christian culture in which they were created and the manner of demonstrating that indebtedness. R. Chris Hassel, Jr. points out informed allusions to familiar Pauline and Erasmian Christian passages and themes present in
Love’s Labor’s Lost, A Midsummer Night’s Dream,
Much Ado about Nothing,
As You Like It, Twelfth Night, and
The Merchant of Venice. He argues that not only did Shakespeare’s audience understand these allusions but also that these allusions led the audience to recognize their pertinence to the playwright’s uniquely Christian comic vision. Furthermore, Hassel feels this understanding of the relationship between Shakespeare’s comic artistry and Christianity leads to a greater appreciation of the plays.
Hassel’s new book is an example of the Christian approach to Shakespeare—that critical method which has in recent years been practiced with great intellectual subtlety by men such as Roy Battenhouse, J. A. Bryant, R. G. Hunter and others.
Hassel examines informed allusions to familiar Pauline and Erasmian Christian passages and themes in Shakespeare's plays. He argues that not only did Shakespeare’s audience understand these allusions but also that these allusions led the audience to recognize their pertinence to the playwright’s unilSÐ