The vital synergy between dress and the cinema has been in place since the advent of film. Broaching topics such as vampires, noir, and Marie Antoinette looks, Fashion in Film uncovers the way in which the alliance of these two powerhouse industries use myriad cultural influencesshaping narrative, national identity, and all points in between. Contributor essays address international films from early cinema to the present, drawing on the classic and the innovative. This abundantly illustrated collection reveals that fashion in conjunction with film must be understood in a different way from fashion tout simple.
The individual essays work together effectively and are, for the most part, free of the jargon that sometimes mars both film and cultural analyses. . . . Recommended.November 2011Munich has woven together a wonderful collection that lays bare not only the long standing interdependency between fashion and film, but also their interchangeability as sources of inspiration.
Adrienne Munich is Professor of English at Stony Brook University. She is author of Andromeda's Chains: Gender and Interpretation in Victorian Literature and Art and Queen Victoria's Secrets and co-editor of the journal Victorian Literature and Culture.
Fashion in Film is a recommended pick for arts collections strong in fashion as well as film libraries.This important anthology meanders between the histories of cinema and fashion, and beyond, to deliver fresh perspectives and approaches to a subject that is gathering a momentum. The wide-ranging essays reveal the complexity of fashion in film as an area of study, carefully considering film costume and fashion as separate yet deeply intertwined entities. Fashion is here addressed as an aesthetic form, as a signifier of the social, cultural and political, and, delightfully, also as a particular parallel to - if not the very fabric of - film. Fashion in Film should become an indispensable reader.Adrienne Munich has edited a compellinglS&