This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography,Feminismswill be essential reading for scholars of both film and feminism.
Laura Mulveyis the author ofVisual Pleasure and Narrative Cinemaand distinguished professor in film and media theory at Birkbeck College, University of London.Anna Backman Rogersis a senior lecturer in film studies at Gothenburg University in Sweden.