A study of women playwrights from a feminist perspective, first published in 2003.Feminist Views on the English Stage is an exciting and insightful study of contemporary drama from a feminist perspective. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores new writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.Feminist Views on the English Stage is an exciting and insightful study of contemporary drama from a feminist perspective. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores new writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.Working through a generational mix of writers, from Sarah Kane, the iconoclastic bad girl of the stage, to the canonical Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the end of the twentieth century. Aston also explores new writing for the 1990s in theater by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.Acknowledgements; 1. A feminist view on the 1990s; 2. Telling feminist tales: Caryl Churchill; 3. Saying no to daddy: child sexual abuse, the 'Big Hysteria'; 4. Girl power, the new feminism?; 5. The 'bad girl of our stage?': Sarah Kane; 6. Performing identities; 7. Feminist connections to a multicultural 'scene'; 8. Feminism past, and future?: Timberlake Welă