Film Music: A Historyexplains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances.
The books four large parts are given over to Music and the Silent Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the Classical-Style Hollywood Film (1933--1960), and Film Music in the Post-Classic Period (1958--2008). Whereas most treatments of the subject are simply chronicles of great film scores and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry. Instead of celebrating film-music masterpieces, it dealslogically and thoroughlywith the complex machine whose smooth running allowed those occasional masterpieces to happen and whose periodic adjustments prompted the large-scale twists and turns in film musics path.
Part One: Music and the Silent Film (18941927)
Chapter One: Origins, 18941905
Chapter Two: The Nickelodeon, 19051915
Chapter Three: Feature Films, 19151927
Part Two: Classic Film Music (19271950)
Chapter Four: The Coming of Sound (19271929)
- transition:Edisons ideas
- Early technologies (pre-1927) (Edison, De Forester, etc.)
- Anticipations of a great future (Carl Van Vechten, George Antheil, etc.)
- Problems of amplification, synchronization
- Vitaphone: Don Juan, The Jazz Singer, etc.
- Other systems and their costs, usefulness, adaptations, etc.
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