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The First World Festival of Negro Arts, Dakar 1966 [Paperback]

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  • Category: Books (History)
  • ISBN-10:  1800349246
  • ISBN-10:  1800349246
  • ISBN-13:  9781800349247
  • ISBN-13:  9781800349247
  • Publisher:  Liverpool University Press
  • Publisher:  Liverpool University Press
  • Pages:  272
  • Pages:  272
  • Binding:  Paperback
  • Binding:  Paperback
  • SKU:  1800349246-11-MPOD
  • SKU:  1800349246-11-MPOD
  • Item ID: 107211610
  • Seller: ShopSpell
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This volume is the first sustained attempt to provide an overview of the First World Festival of Negro Arts, held in Dakar in 1966, and of its multiple legacies.In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts n?gres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aim? C?saire, Andr? Malraux and Wole Soyinka. Described by Senegalese President L?opold S?dar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy. A terrific book that combines an impressive range of both new and emerging voices with leading international specialists located in transnational settings, and that will be of tremendous relevance to students and scholars in fields as diverse as cultural studies, performance studies, French and Francophone Studies, History and African Studies.
Dominic Thomas

This book provides an in-depth analysis of an event that marked its era and resonates in ol£.
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